Search Results
You searched for search. Showing 11 to 20 of 747 results
Sort by:
most relevant first
|
most recent first
-
11. Restaurant review: Australasia
CityLife, Friday 08 July 2011 Paul Ogden leaves changeable Manchester behind for a ray of sunshine that is pure modern Australia. -
12. Interview: Debbie Harry
CityLife, Friday 10 June 2011 Blondie’s charismatic star Debbie Harry has more edge than age about her, writes Gary Ryan. -
13. Deadline looms for playwriting competition
CityLife, Friday 03 June 2011 The first act in the Bruntwood Prize for Playwriting’s search for the great new plays and new writers of 2011 is fast drawing to a close as writers only have until Monday, June 6, to submit their work. -
14. Review: The Grill On New York Street
CityLife, Friday 13 May 2011 Paul Ogden visits the city centre’s new Grill on the block -
15. Must see: Chorlton Arts Festival
CityLife, Thursday 12 May 2011 Arts festival: it’s the kind of phrase that could potentially send you running into the magazine aisle of your local supermarket in a search of something comfortingly low-brow to digest. But if there’s a festival in Manchester that does all it can to reverse that perception, it’s the Chorlton Arts Festival. -
16. Review: Katie Melua - Apollo
CityLife, Wednesday 11 May 2011 Halfway through this rescheduled show, Katie Melua has a moment of humility that she wears so well. “I wouldn’t call it a musical career yet,” she says almost apologetically, “but it has been ten years and four records.” -
17. Profile: Music at FutureEverything
CityLife, Friday 06 May 2011 Gary Ryan profiles the music at FutureEverything -
18. Review: Winnie The Pooh (U)
CityLife, Thursday 14 April 2011 Damon Smith is delighted by the classic character’s new adventure. -
19. Manchester Museum unveils new Living Worlds gallery
CityLife, Thursday 07 April 2011 Sarah Walters profiles the daring revamp of one of Manchester’s favourite galleries. -
20. Review: Vanessa - RNCM
CityLife, Friday 25 March 2011 Samuel Barber's Vanessa, written in 1958, is not among the best-known works in the repertory, but in the 20th-century search for The Great American Opera it ranks as a distinguished contender.