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1. Brotherly love . . . and hate
CityLife, Friday 23 September 2011 Last November, a video did the rounds on YouTube of an unknown band called Brother dragging their amps and instruments to an empty car park in Slough, plugging in and playing. -
2. Interview: Debbie Harry
CityLife, Friday 10 June 2011 Blondie’s charismatic star Debbie Harry has more edge than age about her, writes Gary Ryan. -
3. Review: Katie Melua - Apollo
CityLife, Wednesday 11 May 2011 Halfway through this rescheduled show, Katie Melua has a moment of humility that she wears so well. “I wouldn’t call it a musical career yet,” she says almost apologetically, “but it has been ten years and four records.” -
4. Profile: Music at FutureEverything
CityLife, Friday 06 May 2011 Gary Ryan profiles the music at FutureEverything -
5. Interview: Patterns
CityLife, Thursday 10 February 2011 DIY band Patterns have formed the perfect pairing with label Pull Yourself Together, writes David Sue. -
6. Interview: Little Comets
CityLife, Friday 28 January 2011 Shaun Curran talks to the band who’ve had a second chance. -
7. Interview: The Christophers
CityLife, Friday 23 July 2010 David Sue finds The Christophers are going for the anonymous look but their music shines through. -
8. Review: N.E.R.D - Academy 2
CityLife, Thursday 24 June 2010 I last saw N.E.R.D perform in Manchester in 2003. Fast forward seven years and, not just because we're back at the student union, Pharrell's baby face and N.E.R.D's unique brand of synth, sample and drums heavy hip hop reminds me just why that's one of my favourite gig memories. -
9. Review: N.E.R.D - Academy 2
CityLife, Thursday 24 June 2010 I last saw N.E.R.D perform in Manchester in 2003. Fast forward seven years and, not just because we're back at the student union, Pharrell's baby face and N.E.R.D's unique brand of synth, sample and drums heavy hip hop reminds me just why that's one of my favourite gig memories. -
10. Profile: Mark E Smith (The Fall)
CityLife, Friday 21 May 2010 You have to hand it to The Fall. Most bands spend their studio time slogging it out in search of a USP, but cut The Fall’s Mark E Smith in half and he’d read unique right through the centre like a stick of Blackpool rock.